Wit, Jacob de, 1695-1754
Found in 17 Collections and/or Records:
Design for a ceiling painting: Apollo and the Muses
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a ceiling painting: bacchantes and putti amongst the clouds
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a celing painting: Flora and Zephyr
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a grisaille painting: antique head of a man in profile
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a grisaille painting: three putti adorning a herm of Flora
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a painted wallpaper: Achilles becoming a pupil of Cheriron
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a painted wallpaper: Diana spying on Endymion
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a painted wallpaper: Odysseus and Ajax fighting over the armour of Achilles
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a supraporte painting: allegory of the harvest
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for a supraporte painting: three putti
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Design for the painting of a door of a bookcase: Minerva
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Adolph Staring collection
Verzameling tekeningen bijeengebracht door Adolph Staring (1890-1980).
Study of a hand
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Study of a hand with stretched fingers
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Study of folding hands
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
The personification of the city of Amsterdam enthroned, design for a chimney painting in the so-called 'Logement van Amsterdam'
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Three flying putti
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
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