Skip to main content

Buys, Jacobus, 1724-1801

 Person

Found in 36 Collections and/or Records:

Illustration to an unknow book: group of people in an artist's studio

 Item
Identifier: PK-1969-T-30
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to an unknown book: elegant company

 Item
Identifier: PK-1969-T-32
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to an unknown book: group of people in an interior

 Item
Identifier: PK-1969-T-29
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to an unknown book: man with a knife threatening a kneeling woman

 Item
Identifier: PK-1969-T-33
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to an unknown book: scene in a hall

 Item
Identifier: PK-1969-T-31
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-46
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-48
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-47
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-45
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-44
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-43
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-42
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-41
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-40
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-38
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-37
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-36
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Fabels en vertelsels"

 Item
Identifier: PK-1969-T-39
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Zweedsche gravinne"

 Item
Identifier: PK-1969-T-90
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to C.F. Gellert's "Zweedsche gravinne"

 Item
Identifier: PK-1969-T-34
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"

 Item
Identifier: PK-1969-T-115
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"

 Item
Identifier: PK-1969-T-116
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"

 Item
Identifier: PK-1969-T-114
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Illustration to J.J. Engel's "De dankbare zoon"

 Item
Identifier: PK-1969-T-35
Scope and Contents

The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.

Portret van Caspar Coolhaas, hoogleraar te Leiden

 Item
Identifier: BN 386
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...

Portret van Caspar van Baerle (Barlaeus) (1584-1648), hoogleraar Letterkunde te Leiden en Amsterdam

 Item
Identifier: BN 67
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...

Portret van Conradus Vorstius, hoogleraar Godgeleerdheid te Leiden

 Item
Identifier: BN 1508
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...

Portret van Festus Hommius, predikant en regent van het Staten College te Leiden

 Item
Identifier: BN 692
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...

Portret van Franciscus Gomarus, hoogleraar te Leiden

 Item
Identifier: BN 556
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...

Portret van Franciscus Gomarus, hoogleraar te Leiden

 Item
Identifier: BN 553
Scope and Contents The collection of Bodel Nijenhuis is divided into: Collection of atlases Collection of maps Collection of manuscript maps, among which most of the manuscript charts in the Collection of the Dutch East India Company Collection of topographical prints and drawings Collection of portraits. The portraits of Leiden professors are part of the larger 'Collectie Portretten van Hoogleraren'. A third part of the maps, atlases and topographical prints concerns Dutch territory. About 3.000 maps are manuscripts. Half of the topographical prints and drawings concern the Netherlands. About 1500 are drawings. There are 1700 portraits of Leiden professors and directors, 13.000 portraits of Dutch nobility, clergymen, artists, scientists and other renowned people, and about 800 portraits of members of the Maatschappij der Nederlandse Letterkunde. The COLLBN signature is also used for later acquisitions, including the Vossius...