Buys, Jacobus, 1724-1801
Found in 36 Collections and/or Records:
Illustration to an unknow book: group of people in an artist's studio
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to an unknown book: elegant company
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to an unknown book: group of people in an interior
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to an unknown book: man with a knife threatening a kneeling woman
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to an unknown book: scene in a hall
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Fabels en vertelsels"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Zweedsche gravinne"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to C.F. Gellert's "Zweedsche gravinne"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to Hieronymus van Alphen, "Kleine gedigten voor kinderen"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.
Illustration to J.J. Engel's "De dankbare zoon"
The drawings collected by Staring reflect his professional interest in Dutch 18th-century art. The majority of the drawings originate from that century, even though Staring also had an interest for artists working at the beginning of the nineteenth century. Most artists working in this period are represented. Most notable are larger groups of drawings by Jacob van Strij, Aert Schouman and Jacob de Wit.